Sad Bastard Club, Monday, April 15, 2019, feat. Tom Heyman, Matthew Edwards, Ted Savarese, and Preacher Boy. Make Out Room. 3225 22nd St, San Francisco, CA 94110.
San Francisco was my home town for many, many years. It’s where I came of age musically; and in fact, literally. I was on stage at the Full Moon Saloon when I turned 21. The audience sang me a hearty Happy Birthday, while the bartender looked on a bit perplexed, given that I’d already been playing (and drinking) there for at least a year.
Of course, the Full Moon Saloon is now gone, as are so many of the great venues from those days. The Blue Lamp (name-checked in the Preacher Boy song “At The Corner of the Top and the Botton), Boomerang, the I-Beam, the Kennel Club, the Last Day Saloon, Nightbreak, Paradise Lounge (one of my personal all-time favorite venues), and far too many more.
Mercifully, some are still going strong. Bottom of the Hill (I was fortunate to play there the first week it opened), Hotel Utah, Biscuits and Blues (played more shows there than I can count), and of course the Great American Music Hall, possibly my choice for “final gig” venue. And of course, there is Slim’s, where, thanks to the benevolence of Harry Duncan and Dawn Holliday, I played some of the most important shows in my career. Dawn was especially important for me, and she invited me to open for so many incredible artists I can still hardly believe it. From The Texas Tornadoes, Uncle Tupelo, and Peter Wolf, to Jimmy Vaughan, Diamanda Galas, and Ratdog, I was fortunate to be part of a musical era I will always recall with awe, fondness, and gratitude.
I signed my first record deal in San Francisco. Blind Pig Records. I signed the contract—literally, physically signed the contract—on a table at a bar in North Beach.
There were so many memorable musical things happening then. So many memorable bands. Sister Double Happiness. Red House Painters. American Music Club. Richard Buckner. Chuck Prophet. The list went on and on and on.
On Monday, April 15th, I return to San Francisco, for precisely the kind of show that made San Francisco such a remarkable musical city in those days. A show with imaginative, unique, diverse musicians, performers, and songwriters, who come together in the spirit of rock n’ roll craftspersonship to deliver serious—and seriously fun, music—The show will be at the Make Out Room. I join a bill comprised of Tom Heyman, Matthew Edwards, and Ted Savarese. The show is one of a series called the “Sad Bastard Club.”
If you’re anywhere in Northern California at that time, I hope you can come. It will be a night to celebrate the city, its music, and its musicians.
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