Tag Archives: Jerry’s Front Pocket

One Of The Old Songs

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I played 3 hours straight, no break. Solo acoustic. Just me and my two Nationals. It was a night of rarities. Preachorum Obscurata. In no particular order, I am pretty sure I played:

De Vamp (from debut album Preacher Boy & The Natural Blues)

Dead, Boy (ditto)

The Cross Must Move (ditto)

Like Me (PBATNB again)

Down & Out In This Town (from 2nd album, Gutters & Pews)

In The Darkened Night (G&P again. Last time I played this live? 2001, in Boulder, CO, methinks …)

Railroad (from G&P. This was my Grandpa’s favorite Preacher Boy song …)

Ugly (G&P)

Old Jim Granger (from The Tenderloin EP)

Black Crow (from Crow)

A Golden Thimble (from The Devil’s Buttermilk)

At The Corner Of The Top & The Bottom (fromTDBM again. Written about a lil’ corner just up the street from Biscuits & Blues in SF)

Friend’s Lament (also from TDBM. As far as I can recall, I only ever performed this song once live before tonight. On a radio show in Brighton, England)

Whistleman (from Demanding To Be Next)

Rock Skipper (also DTBN)

My Gold Canoe (DTBN again. Written with the very great Colin Brooks)

Comin’ Up Aces (DTBN)

Jackson Street (DTBN)

99 Bottles (DTBN)

West of the River (new/unreleased. NEVER performed this live EVER before)

Envelope (I think the last time I performed this live was at Two Boots in Park Slope)

My Car Walks On Water (unreleased)

Down The Drain (unreleased)

Cornbread (unreleased)

A Little More Evil (unreleased)

Blister and a Bottlecap (unreleased)

… and some other things as well, which I cannot currently remember. Other than “Sliding Delta.” I know I played that too …

The show was at Jerry’s Front Pocket in Santa Cruz. The cleanest dirty bar in world. Jerry is fantastic. We talked Nick Cave after the show, and MC 900 Foot Jesus.

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It was epic.


You’re No Townes Van Zandt

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It was a classic bar heckle, and it happened at Jerry’s Front Pocket earlier this month. But the story doesn’t start there. The story begins in Colorado, at the Durango Songwriter’s Expo, back around Y2K days.

I don’t normally attend events of this nature, but the missus and I were livin’ in Colorado at the time, my manager was keen on amplifyin’ my songwriting efforts, I’d just come off a run of lovely publishing mojo courtesy of my work with Eagle-Eye Cherry, and so we figured, why not? Let’s go be a pro songwriter …

Lots of meetings with agents, lots of listening and perfoming, and lots upon lots upon lots of song critiques. Which leads to the beginnings of my story. I was on a Townes Van Zandt kick of fairly epic proportions at the time, and apparently that was in evidence on my new demos. What happened was this, in a room of some 30 songwriters, a to-remain-nameless publishing VP listened to my tune, announced that it sounded a great deal like Townes Van Zandt, then said to me, “But you’re no Townes Van Zandt.” Shades of Lloyd Bentsen, what?

Well, the room let out the requisite groan, and we moved on.

All was not lost, however. I killed it at the closing show with –if I do say so myself—rippin’ good versions of Spaceman and Comin’ Up Aces.

And I also met my certified brother-of-another-mother soul mate Colin Brooks. In another song critique session, this was the song he played:

#NowPlaying Nobody by Colin Brooks on @Rdio: http://rd.io/x/Rl7WwEErUMw6Xg/

And I was completely, totally, floored. Just incredible stuff … Colin and I ended doing a lot of writing together, including this one:

#NowPlaying Wheels on the Ground by Colin Brooks on @Rdio: http://rd.io/x/Rl7WwEErUOGw0w/

Colin is a king high motherfucker. Plain and simple.

Anyhow, fast forward to Jerry’s. Announcing the next song over the mic, I said to those assembled something to the effect of, this song was my attempt to write a Townes Van Zandt song. To which someone in the crowd responded, “Do you know any REAL Townes Van Zandt songs?”

Damn …

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Anyhow, here is a live recording of the song in question, recorded live at Aptos St. BBQ just last week. The song is called “Seven’s In The Middle, Son” and this performance includes an appearance by a wonderful accordion player. Please click the link below to listen:

Seven’s In The Middle, Son: recorded live at Aptos St. BBQ

What’s particularly delightful about this whole saga, is that the individual who heckled me at Jerry’s, happens to also be the accordion player on this recording! So of course I told him the Durango story, and it was in fact him who reminded me of the Lloyd Bentsen bit, which if you know your political debate history, was an awesome slice of political pie.

Anyhow, the point is, I’m still trying to write Townes Van Zandt songs, and I hope you like this one! Lyrics below (and p.s. the heckler/accordion player is none other than Jon “Captain Ahab” Dryden!):

seven’s in the middle, son

made a deal with a strange man
he could deal his deck with either hand
winked at me and said goodbye
then switched his patch to the other eye

i did my best to play my song
but he stopped me before too long
took my guitar off my lap
tuned it up and then gave it back

rise and shine, and give god the glory, glory
rise and shine, and give god the glory

wrapped himself in an overcoat
silver necklace ’round his throat
rattlin’ keychain in his pants
sounded like bones when he danced

i faced myself in the mirror glass
swear to god i heard him laugh
felt his name rise in my gut
seven years of bad luck

rise and shine, and give god the glory, glory
rise and shine, and give god the glory

he said “seven is in the middle, son
pick a side and ride that one”
like jewels hangin’ on the vine
it’s a pendulum that’s drowning time

i lay my head down window-side
neon lights like a reaper’s bride
i tried to sleep beneath the black
of the space behind that devil’s patch

rise and shine, and give god the glory, glory
rise and shine, and give god the glory

he put a shiver in my soul
shook my hand and froze it cold
walked me ’round that endless shore
’til i knew i’d never been before

i hear him singin’ from the road
it’s a children’s song he knows i know
i lay myself down on the ground
emptied both my ears of sound

rise and shine, and give god the glory, glory
rise and shine, and give god the glory

 


Recorded Live at The Pocket in Santa Cruz

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The Pocket is strictly authentic. I love it. The sound is actually mighty mighty for an oilcan crib, the souls behind the bar are extremely soulful, and Patron Papa Jerry is of a broken mold and more … poet laureate of the pub, dig?

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Yeah, man. The wisdom.

I had the great pleasure of rollin’ in recently with The National Blues — Virgil Thrasher on the horizontal reed hammer, Zack Olsen on the tub n’ thumps — and we carved three sonic hours out of the night-funk, including a slice of sour cherry drama by the name of “A Little More Evil” …

7 1/2 minutes of crescendo murk mud menace, prognosticated via slide baton on wail cans and thub-tumpers …

I hope you dig it.

~

Preacher Boy | The National Blues

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#PBATNB live at The Pocket -or- A Lil #SwampNStomp Fer Yer Ear Pocket

In trio formation, Preacher Boy and The National Blues (#PBATNB) return to The Pocket in Santa Cruz tonight to paint the walls with some proprietary #SwampNStomp fer thy ear pockets …

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Dr. V on the chromo-harps and tremulators, The Hi-Jack Zack Attack on the trash cans, and His Lowness Your Truly, in Hatty w/ the Natty, bringin’ three hours worth of the Crisco fer yer disco …

Somethin’ from the original Preacher Boy and The Natural Blues?  A bit o’ Dead, Boy, or Ugly, or Like Me, perhaps? Here’s a journey back in time for ya … my first promo pic, from my first record deal …

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How’s about a bump er two from the Gutters & Pews news? Catfish? Down and Out in This Town?

Or maybe just some groovy ol’ delta thumps: Son House, Charley Patton, Blind Willie Johnson, Bukka White, et al  etc.

Dig up, and see ya soon …


Preach In The Pocket

Droppin’ into a new venue for the first time tomorrow night (1.4.15): Jerry’s Front Pocket. Gonna run the sound down with a trio: myself, harmonica ace Virgil Thrasher, and Zack Olsen on the skins.

I don’t know the place yet, but they’re pullin’ in some killer talent, including a couple of my ol’ Blind Pig Records stablemates: Debbie Davies & Popa Chubby.

This is gonna be a great chance to reunite with my new fave drummer pardner Zack Olsen, whom you can hear here poundin’ the tubs with me and Big Bones at Biscuits & Blues:

And as to Virgil and I, we were most recently caught together on New Year’s Day at my new weekly musical home Aptos St. BBQ, runnin’ down an alt. blues stomp-off of “If I Had Possession Over My Judgement Day”:

This particular trio format is a pretty odd one (National, Harmonica, Drums), but it’s a gas, with a lot of space for everyone to fill, and big responsibilities for the right hand thump; as there’s no bass …

Gon’ be playin’ tunes from the whole history; pre-Blind Pig, some Blind Pig era cuts, lil’ something from Tenderloin, even a cut from Crow, and of course some things from Devil’s Buttermilk and Demanding To Be Next.

Not to mention a whole slew of Bukka White, Son House, Fred MacDowell, Blind Willie Johnson, Sleepy John Estes, etc.

Gon’ be in the pocket. Dig.


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