Tag Archives: Ralph Carney

Ralph Carney

Ralph Carney - Preacher Boy

I had the great pleasure and honor of writing, recording, and performing with Ralph Carney for many years. Those were remarkable and often magical times for me. I was surely one of the luckiest musicians in the world, to stand beside Ralph Carney on stage for so many performances.

Regrettably, I’m afraid it all happened at a time when I was still too young, too inexperienced, too immature, to really comprehend the full measure of his singular genius.

I knew he was extraordinary. Anyone who heard him knew that.

But I was trying to build a career for myself then, and too busy making too many of the mortifying mistakes one often makes in that process.

I’m much older now, and the temptation towards regret is almost overwhelming—if I could have known then even a fraction of what I know now, I would have preserved every minute I had with him. I would have recorded every sound that emerged from his instruments. I would have made as much music with him as he would have let me.

I believe Ralph Carney was a multi-instrumentalist because he had to be—there was simply too much music in him.

As to myself, I was a fraud then, certainly. There were nights I’d look to my left and I’d see Jim Campilongo, and I’d look to my right and I’d see Ralph Carney, and I’d think to myself, what the hell am I doing here?

I know now, that Ralph was a gift to me, as he was a gift to anyone who had the pleasure and the honor of making music with him—he gave of his genius so generously.

It’s often said that “catching” a yawn from someone is indicative of an empathetic connection. The feeling of making music with Ralph Carney was like the feeling of “catching” a laugh from a giggling toddler—it just felt too good not to smile.

As I have grown into my life, I have learned that the people I admire most are those who are deadly serious about doing those things that are ultimately very fun. I think of Ralph Carney, and I think of ancient Zen poets running laughing through the mountains.

Deep bows to you, Ralph Carney. What else could I possibly do but weep, and say thank you?

 


3 different shows, 3 different set lists — Can you spot the differences?

Show #3. Lovely backdrop. Very small chair. Stacy Adams boots. Bailey brim.

Solid week, this one. 3 shows in 6 days. Not a killer pace, but solid. I don’t do set lists in advance, but when I have a series of shows in a row, the process takes on a life. Some songs naturally seem to clump up together, and they stay that way across the shows. Possibly due to how the guitar tunings transition, but often simply because they seem to be mojoin’ together. Other songs just come out of nowhere. Like ridin’ a bike. You fall off a song sometimes, but when you get back up on it, hopefully  you keep your balance …

Anyhow, here’s the 3 different set lists from the different shows … some differences, some sameness. Few notes along the way as well. And yeah, pretty much always start with “Possession.” Dig …

(and p.s. the shot above is from show #3. lovely backdrop. very small chair. Stacy Adams boots. Bailey brim.)

Preacher Boy set list: Tuesday, July 5

If I had possession over my judgement day
Death letter
Evil Blues
Revenue man blues
Levee camp blues
Setting sun
Comin’ up aces
You been a good old wagon (back in the mix after a long absence. Bessie Smith by way of Dave Van Ronk. First started tryin’ to play this about 30 years ago)
One good reason (back in outta nowhere. Written & recorded w/ Eagle-Eye Cherry originally)
Cornbread
Catfish blues
Spoonful blues
There go John
Jackson Street
Railroad
My car walks on water
At the corner of the top and the bottom
Jesus, make up my dyin’ bed
Casey Bill Weldon (brand-new song)
In the darkened night (outta nowhere. haven’t played this in ages. From Gutters & Pews originally)
New Red Cedar blues (not yet recorded/released)

Preacher Boy set list, Thursday, July 7

If I had possession over my judgement day
Setting sun
Down the drain
Railroad
Dead, boy
Catfish blues
A little better when it rains (back in the mix after a decade away. lead track from “Demanding to be Next”)
Jesus, make up my dying bed
Hang down my head and cry
Casey Bill Weldon
You been a good old wagon
Fixin’ to die
Down and out in this town
New Red Cedar blues
A person’s mind
Cornbread
Down south blues
Evil blues
Revenue man blues
Comin’ up aces
One good reason
Obituary writer blues
Baby, please don’t go

Preacher Boy set list, Sunday, July 10

If I had possession over my judgement day
Death letter blues
Catfish blues
Jackson street
Setting sun
Comin’ up aces
Down south blues
Shake ‘em down
My car walks on water
A person’s mind
At the corner of the top and the bottom
Obituary writer blues
The cross must move (pretty rare for this one to rear up. originally from the very first Preacher Boy ablum, on Blind Pig Records)
Dead, boy
Casey Bill Weldon
Cornbread
Baby, please don’t go

~

I listened back to the recordings of the shows (guerrilla-style, raw), and tried to pick out one I thought ya’d like. I decided on “In The Darkened Night.” This was originally recorded for the Gutters & Pews album on Blind Pig Records. I played accordion and 12-string acoustic on the album version. Ralph Carney and Jim Campilongo did an amazing clarinet and Telecaster thing on it. I dug that track. But I don’t think Blind Pig did. Anyhow, here’s meself doin’ a solo National Resophonic rendition:

Preacher Boy – In The Darkened Night [LIVE]

(if you don’t see the embedded media player above, please click here to stream)

And if’n ya wanna hear the original album version; i.e. that Accordion/Campilongo/Carney version from Gutters & Pews, here ’tis on the ol’ Spotify:

 

 


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